But this shouldn’t detract from the quality, which is purely outstanding. In context, this can almost be a little too on the back of the time, so some helpful thought in the programming here will assist. This library is about sonority and darkness, not epic volume, so you wouldn’t expect the legato movement to be too fast: rather, just on the back of the time, to make it sound realistic.
#Metropolis ark 1 review registration#
Now, this effect is always a difficult thing to achieve, as the movement from one note to the next has to be treated carefully, especially when trying to take the specifics of the original instrument into context – and what we have here is something which is, by design, a leisurely movement from one registration to the next. Starting with the strings, these are organised into High, Mid and Low assignments, so starting with a High patch, I was immediately treated to a level of legato assignment which, frankly, is a bit special. Helpfully layered into usable sections, the 21 instrumentation assignments are allotted to ‘Districts’, in some post apocalyptic, Hunger Games-esque categorisation, beginning with District One – which offers the main orchestral samples, drawn from strings, wind and brass. Metropolis Ark 2 is billed as offering ‘low dynamic epicness’, and in keeping with its beautifully Germanic roots, offers a palette with far more than simply pure Wagnerian dark sonority, thanks to some really useful and interesting inclusions. This stunning library, which is loud and epic in nature, is now followed by Metropolis Ark 2 – something completely different. "2001: A Space Odyssey", "Star Wars" and "Blade Runner" owe their existence (or at least their power) to it.German-based company Orchestral Tools has managed to establish an excellent reputation within a short space of time with its ever-expanding libraries of predominantly orchestral flavours, but having covered the main symphonic bases, the company took the decision about 18 months ago to release Metropolis Ark 1.
#Metropolis ark 1 review movie#
"Metropolis" perhaps is THE most important and influential movie ever made. Many supposedly 'restored' versions have been released over the years (in 19, for example) but the 1926-version is still the finest in my opinion, even though that one already isn't as detailed and punctual as Lang intended it. Fritz' brutal visual style still looks innovative and few directors since were able to re-create a similarly nightmarish composition of horizontal and vertical lines. But, as it is often the case with silent-cinema classics, the respect and admiration you'll develop during watching it will widely excel the enjoyment-aspect. It's essential viewing, anyway! "Metropolis" is a very demanding film-experience and definitely not always entertaining. The further expansions and intrigues in the screenplay are too astonishing to spoil, so I strongly advise that you check out the film yourself. The world has been divided into two main categories: thinkers & workers! If you belong to the first category, you can lead a life of luxury above ground but if you're a worker, your life isn't worth a penny, and you're doomed to perilous labor underground. How can a movie that'll soon turn 80 years old still look so disturbingly futuristic? The screenplay by Thea Von Harbou is still very haunting and courageously assails social issues that are of all ages. Huggoįritz Lang's groundbreaking landmark remains one of the biggest mysteries in the world of cinema. John, unaware that Rotwang has his own agenda., makes plans that include shutting down the machines, with the prospect of unleashing total anarchy both above and below ground. an inventor called Rotwang, who turns out to be But their nemesis goes to works towards quashing a proposed uprising, with Maria at the centre of their plan. But when John learns of what Maria is advocating and that Freder has joined their cause, with the assistance of an old colleague. Freder wants to help the plight of the workers in their struggle for a better life. Freder learns that the woman is called Maria, who espouses the need to join the "hands" - the workers - to the "head" - those in power above - by a mediator who will act as the "heart". One of the few people above ground who knows about the world below is Freder's father, John Fredersen, who is the founder and master of Metropolis. Trying to follow her, he is horrified to find an underground world of workers who apparently run the machinery that keeps the Utopian world above ground functioning. One day, he spots a beautiful woman with a group of children, she and the children quickly disappear. Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life.
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